John Hamilton MORTIMER
1741 Eastbourne + 1779 Londres
Etching

Harris nr 234. Very good impression on laid paper of the 3rd edition (of 7), published by Loizelet in 1876. Some handling creases; some tiny marginal foxings. Wide margins. Plate to the set of “Tauromachie”.

Jost AMMAN
1539 Zürich + 1591 Nürnberg
Etching

Bartsch nr 4; Brown nr 5 (I/V). Very good impression of the first state (of 5), before F. van Wyngaerde’s initials. Slight oxidation of the sheet, a few creases and tiny small defects. Small margins. Watermark : small cross in a oval (?).

Bartsch nr 3; Brown nr 13. Good impression of the only state. A few thin paper areas and stains, essentially in the angles, small marginal lacuna in the lower left corner and vertical median crease. Thread margins. Collector’s (?) or price indication with pen in the lower right corner. Watermark : madness.

Luis JIMENEZ ARANDA
1845 Séville + 1928 Pontoise
Etching

Clark, Matthew and Owens undescribed. Very good impression printed in colors on thin wove ivory paper. Band of an old mounting paper at top and short marginal tear in the upper left corner. Good margins.

Very good impression on laid paper published by the “Société des Aquafortistes” in 1863. Rare marginal stains. Wide margins.

Mily POSSOZ
1889 Lisbonne + 1967 Lisbonne
Dry point

Parfaite épreuve sur vélin fort, signée et annotée “épreuve d’artiste”. Timbre sec de l’éditeur M. Guiot.

Mily POSSOZ
1889 Lisbonne + 1967 Lisbonne
Dry point

Mily POSSOZ
1889 Lisbonne + 1967
Drypoint heightened

Very good impression of essay on wove paper, signed and annotated at foot “N2” with some small retouches de la main de l’artiste. Wide margins.

Mily POSSOZ
1888 Lisbonne + 1968 Lisbonne
Dry point

Mily POSSOZ
1888 Lisbonne + 1967 Lisbonne
Drypoint

Richard Parkes BONINGTON
1802 Arnold + 1828 Londres
Etching