Poncetton nr 1 (I/II). Good impression. Ensemble d’une gravure et d’un dessin préparatoire by ink, la seconde signed; la première du first state (of 2), before que le visage du nain ne soit gratté. Some creases and breaks, rests of mounting paper on the back and some stains à la première; folds, small tears and […]

Poncetton nr 25 (I/II). Very good impression on laid paper of first state (of two), before the engraved signature, signed and annotated “1er état”. Creases mostly soft; some marginal foxings. Good margins.

Poncetton nr 60 (I/II). Very good impression on laid paper of first state (of two), avant des travaux à la pointe sèche, signed and annotated “1e état – 1ère épreuve”. Soft creases at top; two tiny thin paper areas. Good margins. Rare.

Poncetton n°5 (II/II). Très belle épreuve sur vergé ancien du 2e état (sur 2), signée. Grandes marges. Rare.

Bernard PICART
1673 Paris + 1734
Etching and engraving

C. L. JUBIER
1737 + ?
Tool engraving printed in colors

Camille PISSARRO

Delteil-Cailac nr 196. Shapiro and Mélot p 23. Good impression printed in brown-red on thin wove paper, of the only state. Diagonal fold brand at top. “Le dessin au vernis sur la plaque de zinc a été fait par Camille Pissarro mais la morsure par son fils Lucien…” Jean Cailac. There would be a posthumous […]

Camille PISSARRO
1830 Saint Thomas + 1903 Paris
Etching and aquatint

Charles Albert WALTNER
1846 Paris + 1925 Paris
Etching and dry point after Dagnan-Bouveret

Charles COTTET
1863 Le Puy + 1925
Lithographie originale

Charles COTTET
1863 Le Puy + 1925 Paris
Soft ground etching

Morane nr 4. Very good impression on flier china paper, printed in colors, signed and numbered. Small foxings mostly visible on the back and in margins; short marginal tear and some creases. Wide margins. Edition of 100 impression for the “Galerie d’estampes originales” of A. Vollard.

Charles COYPEL
1694 Paris + 175 Paris
Etching

T. Dufresne nr 16. Very good impression on laid paper, numbered and signed. Very slight trace of an old mounting paper. Edition of 25 impressions. Dry stamp of the editor Sagot (Lugt nr 2254)

Charles DUFRESNE
1876 Millemont + 1938
Dry point and tool engraving