Auguste LEPERE
1849 Paris + 1918 Domme
Woodcut

Auguste LEPERE
1849 Paris + 1918 Domme
Woodcut

Lotz-Brissonneau nr 309 (I/II). Good épreuve of essay on japan paper, printed in brown, of 1st state (of 2), before the letter. Laid down on simili japan paper; tear about 60 mm on the left edge; some thin paper areas on the edges; foxings mostly visible in the sky. Wide margins. Ex-collection E. Beurdeley (Lugt […]

Auguste Louis LEPERE
1849 Paris + 1918 Domme
Woodcut

Lotz-Brissonneau nr 38 (II/II). Very good impression on japan paper of 2nd state (of 2), the platemark reduced, signed and annotated “Tirage 8 ép” and below “n°7”. Slight crease at right top. Good margins. The edition of the first state was only 5 impressions and this of second state of 30 (or 8 same noted […]

Auguste Louis LEPÈRE
1849 Paris + 1918 Domme
Woodcut

I.F.F. nr 2 (Unknow in full length). Good impression on wove paper of the only state. Laminated on cardboard; two tears at foot with small lacks associate. Good margins. Rare.

Augustin de SAINT AUBIN
1736 Paris + 1807 Paris
Etching and engraving

Very good impression on thin wove paper, signed ?. A slight crease; some small stains and fixed by some points of glue on strong laid paper. Small margins.

Balthazar Jean BARON
1788 Lyon + 1869 Lyon

BASSET editor in Paris
Beginning of XIX century
Etching and dotted

BASSET editor à Paris
Active between circa 1750 to 1785
Etching and engraving

BASSET printer in Paris
Beginning of XIXe century
etching after Courvoisier

Benoît DUBOIS
1619 Dijon + 1680 Dijon
Etching

Bernard BOUTET de MONVEL
1884 Paris + 1949 au large des Açores
Original etching and aquatint

Poncetton n°4. Belle épreuve signée. Dessin signé et titré. Rousseurs marginales prononcées à la gravure; petite déchirure en tête au dessin et empoussiérage. Oeuvre puissante de Bernard Naudin, dans la lignée de Goya. Rare.