Very good impression on laid paper in colors of the time. Small creases; small stain in the letter. Small margins.
André DAUCHEZ 1870 Paris + 1948 Etching
André DUNOYER de SEGONZAC 1884 Boussy St Antoine + 1974 Paris Drypoint
André FAVORY 1888 Paris + 1937 Paris Woodcut
I.F.F. n°59. Very good impression on laid paper, published in “L’Illustration Nouvelle” in 1877. Some slight soft creases. Wide margins.
André LAMBERT 1884 Stuttgart + 1967 Etching
Anonymous french Beginning of XIX century Etching and engraving
Anonymous, french school XVIIth century Etching
Anonymous middle of XVIIth century Etching after C. Mellan
Anonymus XVIIth century
Etching
Antoine COYPEL 1661 Paris + 1722 Paris Eau-forte originale
Antoine Louis BARYE 1796 Paris + 1875 Paris Lithography
Antoine MASSON 1636 Couvry + 1700 Paris Engraving
Antoine PIERRETZ active about 1660 Etching after Poissant
Armand BERTON 1854 Paris – 1927 Etching
I.F.F. nr 97. Very good impression on simili japan paper, signed. Very slight oxidation and tiny foxings; marginal thin paper areas on the back. Good margins. Dry stamp of “Cercle de la Librairie”.
