Good impression. Amincissures sur les bords; quelques infimes taches et courte déchirure en tête; trace de pli diagonal. Planche reprenant inversée la célèbre gravure de Dürer, qui date de 1501 environ. Notre gravure a très probablement été exécutée au début du XVIe siècle. Il existe une autre impression au cabinet des Estampes de Dresde. Ex […]

New Hollstein nr 164. Good impression trimmed at the platemark of the only state. Short tear at foot; rests of mounting paper et de colle in the corners on the back; creases and small defect in l’angle inférieur gauche. Plate to the set of dix “Mascarades”.

After Jacob SAVERY I
ca 1565/67 Courtrai + 1603 Amsterdam
Engraving

New Hollstein nr 166. Good impression trimmed at the platemark or avec filets de marges, of the only state. Rest of glue and of mounting paper in the corners on the back; small foxings and a number à l’encre en tête légèrement visible au recto. Septième plate to a set of ten “Mascarades” very probably […]

after Jan BRUEGHEL the Young
1568 Bruxelles + 1625 Anvers
Engraving by A. Sadeler

New Hollstein nr 326 (I/III). Very good impression of first state (of 3), before la modification du nom de l’éditeur. Oxidation of the sheet; some creases notamment vertical médian et quelques infimes trous d’épingle. Watermark : double C couronné. Wide margins. Plate to the set of “Nouvelles inventions des temps modernes”, ca 1588-1591.

New Hollstein nr 329 (I/III). Very good impression of first state (of 3), before name of editor change. Oxidation of the sheet; slight vertical creases, notably median and some tiny pinholes. Good margins. Plate to the set of twenty, whose a title, relating “Les nouvelles inventions des temps modernes”, ca 1591. Watermark : crowned double […]

after Maerten van HEEMSKERK
1498 Haemskerk + 1574 Haarlem
Engraving by Philippe Galle

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after Le Tintoret

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after The Tintoret

1557 Bologna + 1602 Rome

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after Le Tintoret

Albrecht ALTDORFER
ca 1480 Ratisbonne + 1538
Woodcut

Albrecht DÜRER
1471 Nuremberg + 1528 Nuremberg
Woodcut

Strauss nr 65. Meder nr 15 (a-b/e). Very good impression irrégularly trimmed at the platemark, of the only state a-b (sur e). Some amincissures, surtout en tête; small repair sur l’épaule de Marie-Madeleine and déchirure restaurée dans le bras de la Vierge; some small déchirures restaurées. Plate to the set de la “Petite Passion” on […]

De Grazia-Bohlin nr 21 (II/IV). M. Bury “The Print in Italy” nr 50. Very good impression trimmed out the platemark, of 2nd state (of 4), before V. van Aelst’s address. Some creases, especially horizontal down; rests of mounting paper along the left edge.