Bartsch nr 25 (U. da Carpi); Bartsch Ill nr 25; cf Takahatake “The chiarosccuro wwodcut in Renaissance Italy” p. 130. Good impression printed in two plates of tons and a plate of trait, of 2nd state (of 2), du tirage d’A. Andreani ca 1608-1609. Vertical median fold; some rare creases; contrecollée.

after Pierre Narcisse GUERIN
1774 Paris + 1833 Rome
Lithography by Belliard

Hollstein nr 15. Good impression of the only state. Oxidation of the sheet; foxings; four wormhole or by pin; some vertical creases. Small margins. Watermark : stationer’s name and coat of arms (?). Edition probably slightly late. The painting by Rubens (and his workshop) is preserved à l’Académie de View.

after Pierre Paul RUBENS
1577 Siegen + 1640 Anvers
Mezzotint after Rubens

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after Le Tintoret

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after The Tintoret

1557 Bologna + 1602 Rome

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after Le Tintoret

Albert BELLEROCHE
1864 Swansea + 1944 Southwell
Lithography

Albert BELLEROCHE
1864 Swansea + 1944
Lithography

Albert BELLEROCHE
1864 Swansea + 1944 Southwell
Lithography

Albert FLAMEN
Actif à Paris + ca 1669 Paris
Etching

Albert FLAMEN
ca 1620 Paris ? + after 1669 Paris
Etching

Robert-Dumesnil nr 440 (II/III). Very good impression of 2nd state (of 3), with the number. Slight vertical crease at left; some slight foxings. Good margins. Second plate to a set of twelve illustrating the “Troisième partie des Poissons de Mer”. Watermark : coat of arms.

Robert-Dumesnil nr 469 5II/II). Very good impression of 2nd state (of 2), with the number. Slight oxidation of the sheet and some very slight foxings visible mostly on the back. Thread margins. Plate to a set of twelve forming the second “Partie de Poissons d’Eau douce”. Ex collection Defer-Dumesnil (Lugt nr 739).

Albrecht ALTDORFER
ca 1480 Ratisbonne + 1538
Woodcut