Morane nr 4. Very good impression on flier china paper, printed in colors, signed and numbered. Small foxings mostly visible on the back and in margins; short marginal tear and some creases. Wide margins. Edition of 100 impression for the “Galerie d’estampes originales” of A. Vollard.

Charles COYPEL
1694 Paris + 175 Paris
Etching

T. Dufresne nr 16. Very good impression on laid paper, numbered and signed. Very slight trace of an old mounting paper. Edition of 25 impressions. Dry stamp of the editor Sagot (Lugt nr 2254)

Charles DUFRESNE
1876 Millemont + 1938
Dry point and tool engraving

Charles HEYMAN
1881 Paris + 1916 Ablain Saint Nazaire
Etching

Charles HEYMAN
1881 Paris + 1915 Ablain Saint Nazaire
Watercolor and pencil

Sanchez-Seydoux nr 126 (III/III). Very good impression on laid paper of the last state, with signature and date, titled by Mme Heyman. Small margins.

Robert-Dumesnil nr 5 (II/IV). Very good impression trimmed on the platemark of 2nd state (of 4), with Langlois’s address. Short tear formerly restaured at foot; slight circular stain near the title; held in place by dots of glue on the left side. Second plate of a set of four “Heures du jour”. Ex collection…

Charles LE BRUN
1619 Paris + 1690 Paris
Etching

I.F.F. nr 7-1. Very good impression on laid paper printed in colors, numbered and signed. Marginal tear skillfully restored at foot; marginal traces of adhesive and slight crease visible in raking light. Edition of 50 impressions. Good margins.

Charles MAURIN

Charles MAURIN
1856 Le Puy + 1914 Grasse
Eau-forte originale et aquatinte

Charles Melchior DESCOURTIS
1753 Paris + 1820 Paris
Tool engraving after Wolff

Schneidermann nr 63 (II/II). Good impression on china paper applied on wove paper, of 2d state (of 2), dedicated and signed by pencil by the model. Strong oxidation of the sheet; the china paper comes off slightly in places. Good margins. The first state, before the signature and the date, is know from only one […]

Charles MERYON
1821 Paris + 1868 Saint Maurice
Etching and dry point

Delteil nr 48; Schneidermann nr 51 (IV/IV). Good impression trimmed at the borderline, the artist’s name and the l’imprimeur rognés at foot, of the last state. Vertical median fold; very small thin paper area at right and tiny other defects. (264 x 431 instead of 271 x 436)