Carlo CARLONE
1686 Scaria + 1775
Etching

Carlo LASINIO
1759 Trévise + 1838
Mezzotint

Very good impression on strong laid paper, printed in colors and rehaussée de gouache. Small foxings mostly marginal and on the back; rubbing trace. Good margins. Antonio Balestra (1666+1740), italian painter, also executed également some beautifull etchings. Plate to the set “Rittrati di Pittori…” 1789 and next.

Carlo LASINIO
1759 Trévise + 1838
mezzotint

Very good impression on strong laid paper, printed in colors, with des rehauts de gouache. Small foxings and marginal stains; rubbing trace and a few creases. Good margins. Plate to the set “Rittrati di Pittori…”, 1789 et suivantes.

Carlo LASINIO
1759 Trévise + 1838 Pise
Manière noire d’après Le Guerchin

Charles Albert WALTNER
1846 Paris + 1925 Paris
Etching and dry point after Dagnan-Bouveret

Charles BAUGNIET
1814 Bruxelles + 1886 Sèvres
Lithography

Charles COLEMAN
ca 1807 Pontefract (GB) + 1874 Rome
Etching

Charles COLEMAN
ca 1807 Pon Te Fract + 1874 Rome
Etching

Charles COTTET
1863 Le Puy + 1925
Lithographie originale

Charles COTTET
1863 Le Puy + 1925 Paris
Soft ground etching

Morane nr 4. Very good impression on flier china paper, printed in colors, signed and numbered. Small foxings mostly visible on the back and in margins; short marginal tear and some creases. Wide margins. Edition of 100 impression for the “Galerie d’estampes originales” of A. Vollard.

Charles COYPEL
1694 Paris + 175 Paris
Etching

T. Dufresne nr 16. Very good impression on laid paper, numbered and signed. Very slight trace of an old mounting paper. Edition of 25 impressions. Dry stamp of the editor Sagot (Lugt nr 2254)

T. Dufresne nr 4. Very good impression on simili japan paper, printed in black and a slight tint of yellow, numbered and signed. A few foxings, mostly in the good margins and on the back; small snag at the foot and horizontal crease. Edition of 10 impressions according to T. Dufresne (Ours is justified on […]