T. Dufresne nr 4. Very good impression on simili japan paper, printed in black and a slight tint of yellow, numbered and signed. A few foxings, mostly in the good margins and on the back; small snag at the foot and horizontal crease. Edition of 10 impressions according to T. Dufresne (Ours is justified on […]

T. Dufresne nr 4. Very good impression on simili japan paper, printed in black and a slight teinte de jaune, numbered and signed. A few foxings, mostly in the good margins and on the back; small (accroc) at foot and horizontal crease. Edition of 10 impressions selon T. Dufresne (la nôtre est numbered sur 30) […]

Charles DUFRESNE
1876 Millemont + 1938
Dry point and tool engraving

Charles HEYMAN
1881 Paris + 1916 Ablain Saint Nazaire
Etching

Sanchez-Seydoux nr 116 (II/III). Very good impression on old laid paper, of 2nd state (of 3), before the letter from the Delâtre printing house, signed and titled by the artist’s mother. Good margins. Dry stamp of the editor Sagot (Lugt 2254).

Charles HEYMAN
1881 Paris + 1915 Ablain Saint Nazaire
Watercolor and pencil

Sanchez-Seydoux nr 126 (III/III). Very good impression on laid paper of the last state, with signature and date, titled by Mme Heyman. Small margins.

Robert-Dumesnil nr 5 (II/IV). Very good impression trimmed on the platemark of 2nd state (of 4), with Langlois’s address. Short tear formerly restaured at foot; slight circular stain near the title; held in place by dots of glue on the left side. Second plate of a set of four “Heures du jour”. Ex collection…

Charles LE BRUN
1619 Paris + 1690 Paris
Etching

I.F.F. nr 7-1. Very good impression on laid paper printed in colors, numbered and signed. Marginal tear skillfully restored at foot; marginal traces of adhesive and slight crease visible in raking light. Edition of 50 impressions. Good margins.

Charles MAURIN

Charles MAURIN
1856 Le Puy + 1914 Grasse
Eau-forte originale et aquatinte

Charles Melchior DESCOURTIS
1753 Paris + 1820 Paris
Tool engraving after Wolff

Schneidermann nr 63 (II/II). Good impression on china paper applied on wove paper, of 2d state (of 2), dedicated and signed by pencil by the model. Strong oxidation of the sheet; the china paper comes off slightly in places. Good margins. The first state, before the signature and the date, is know from only one […]

Schneiderman nr 26 (VIII/X). Superb impression on china paper applied on wove paper, of 8th state (of 10) published by “L’Artiste” in 1852. Small marginale stain; slightly dusty on the margins. Good margins. Our impression, although relatively common because published in the magazinr “L’Artiste”, release a magnificent light, especially due to beige china paper.

Charles MERYON
1821 Paris + 1868 Saint Maurice
Etching and dry point