Good impression. Edition of 35 impressions. Good margins.

Georges BRUYER

Georges LE MEILLEUR
1861 Rouen + 1945
Etching

Good impression on wove paper printed in Colors, annotated “Epreuve (not corrected)”, signed and annotated again at foot. Some creases; tiny stain and slight marginal oxidation.

Germaine de COSTER
1895 Paris + 1992
Woodcut

Lecomte nr 153 (II/II). Good impression on laid paper vergé, numbered and signed, of the last state. Total edition of 75 impressions. Very slight trace de passe partout à l’ouverture of an old mounting; slight wove creases. Dry stamp of the editor E. Sagot (Lugt nr 2254).

M. Lecomte nr 167 (II/II). Very good impression on laid paper of 2nd state (of 2), with the signature engraved, numbered and signed. Some rare creases and of rubbing. Total edition about 75 impressions, the two combined. Ex collection H. M. Petiet.

Gustave LEHEUTRE
1861 Troyes + 1932 Paris
Etching

Henry de WAROQUIER
1881 Paris + 1950
Ething

Jacques BELTRAND
1874 Paris + 1977 Coucy les Eppes
Woodcut after Manet

Jacques BELTRAND
1874 Paris + 1977 Coucy les Eppes
Woodcut

De Ginestet et Pouillon E 93. Très belle épreuve sur japon de l’état définitif, imprimée en couleurs au repérage, numérotée et signée. Belles marges. Timbre sec de l’éditeur E. Sagot (Lugt n°2254). Tirage en cet état à 100 épreuves.

Jacques VILLON
1875 Damville + 1963 Puteaux
Etching

Jacques VILLON
1875 Damville + 1963 Puteaux
Lithography, process and watercolor

Jacques VILLON
1870 Damville + 1963
Lithography and process (?)

Jacques VILLON
1875 Damville + 1963 Puteaux
Drypoint and aquatint