Very good impression on wove paper annotated “2/6 4e état” and signed. Good margins.

Émile Jean SULPIS
1856 Paris + 1943
Etching, dry point, roulette and aquatint

Emile Jean SULPIS
1856 Paris + ca 1943
Pencil, charcoal and pastel

Émile Jean SULPIS
1856 Paris + 1943
Etching and dry point

Emile OTHON-FRIESZ
1879 Le Havre + 1949 Paris
Woodcut

Eugène BEJOT
1867 Paris + 1931 Paris
Etching

Eugène COLLIGNON
1876 Namur + 1961
Woodcut

Eugène DELATRE
1864 Paris + 1938 Paris
Drypoint

Very good impression on wove paper, signée. Good margins.

Très belle épreuve sur vélin imprimée en couleurs, signée et dédicacée. Quelques très légères traces de plis souples.

Fernand GOTTLOB
1873 Paris + 1935 Paris
Lithography

Steingräber n°47. Très belle épreuve d’essai sur vergé imprimée en brun clair. Traces de plis sur les bords des marges; quelques rousseurs aux bords de marges. Grandes marges.

Very good impression trimmed at the platemark, of essay, largement rehaussée de gouache. Some creases; tiny tear at top. Rare.

Very good impression on laid paper, printed in colors at the location, numbered and signed. Edition of 50 impressions. Slight oxidation in the good margins. Stamp of the editor Hessèle (partly erased).

French school
beginning XXth century
Watercolor

I.F.F. undescribed. Very good impression on japon mince beige, printed in colors, numbered and signed. Edition of 15 impressions. Red stamp of the artist.