Poncetton n°5 (II/II). Très belle épreuve sur vergé ancien du 2e état (sur 2), signée. Grandes marges. Rare.

Delteil-Cailac nr 196. Shapiro and Mélot p 23. Good impression printed in brown-red on thin wove paper, of the only state. Diagonal fold brand at top. “Le dessin au vernis sur la plaque de zinc a été fait par Camille Pissarro mais la morsure par son fils Lucien…” Jean Cailac. There would be a posthumous […]

Charles COTTET
1863 Le Puy + 1925 Paris
Soft ground etching

T. Dufresne nr 16. Very good impression on laid paper, numbered and signed. Very slight trace of an old mounting paper. Edition of 25 impressions. Dry stamp of the editor Sagot (Lugt nr 2254)

Charles DUFRESNE
1876 Millemont + 1938
Dry point and tool engraving

Charles HEYMAN
1881 Paris + 1916 Ablain Saint Nazaire
Etching

Charles HEYMAN
1881 Paris + 1915 Ablain Saint Nazaire
Watercolor and pencil

Sanchez-Seydoux nr 126 (III/III). Very good impression on laid paper of the last state, with signature and date, titled by Mme Heyman. Small margins.

Charles MAURIN

André DUNOYER de SEGONZAC
1884 Bourg Saint Antoine + 1974 Paris
Etching

Très belles épreuves sur vélin fort, signées et justifiées. Petites marges.

Edmond Charles KAYSER
1882 Paris + 1965 Paris
Etching

Élisabeth KROUGLICOFF – Les Canards, 1905

Very good impression on wove paper annotated “2/6 4e état” and signed. Good margins.

Émile Jean SULPIS
1856 Paris + 1943
Etching, dry point, roulette and aquatint

Emile Jean SULPIS
1856 Paris + ca 1943
Pencil, charcoal and pastel