Good impression on laid paper, signed. Innumerable small foxings. Good margins. Plate to the set “La femme et la guerre”, 1920

Very good impression on laid paper, signed. Small margins. Plate to the set “La femme et la guerre”, 1920

Albert BELLEROCHE
1864 Swansea + 1944 Southwell
Lithography

Albert BELLEROCHE
1864 Swansea + 1944
Lithography

Albert BELLEROCHE
1864 Swansea + 1944 Southwell
Lithography

Alonzo C. WEBB
1888 Nashville + 1975
Dry point

Alonzo C. WEBB
1888 Nashville + 1975
Dry point

Malassis and Thibaudeau nr 643; Bliss nr 643. Very good impression on old laid paper, (largement rehaussée) by the artist and signed. Rests of mounting paper on the sides of the back. Small margins.

Malassis and Thibaudeau nr 565 (II/VI?); Bliss nr 565; I.F.F. nr 243. Very good impression on laid paper of 2nd state (of 6) before the platemark reduced, heightened by the artist and signed. Small margins. The first three states would have only been drawn in a total of 24 trials.

Malassis and Thibaudeau n°615 (I/II); I.F.F. n°? Very good impression on wove paper of first state (of two), before the retouches, signed.

Alphonse LEGROS
1837 Dijon + 1911 Watford
Lithography

Alphonse LEGROS
1837 Dijon + 1911 Watford
Etching

1858 Calais + 1924

André DAUCHEZ
1870 Paris + 1948
Etching

André DUNOYER de SEGONZAC
1884 Boussy St Antoine + 1974 Paris
Drypoint

André FAVORY
1888 Paris + 1937 Paris
Woodcut