Charles-François DAUBIGNY
1817 Paris + 1878 Paris
Etching

Chez ESNAUTS marchand d’estampes

Etching and engraving

Chez Garnier-Allabre à Chartres éditeur
1782 Versailles + 1834 Chartres
Woodcut

Glued by three angles; some foxings and rares creases. Red stamp from the sale of his workshop (Lugt nr 15).

Constant BOURGEOIS
1767 Guiscard + 1841
Lithography

I.F.F. nr 1-4. Good impression on wove paper. Some foxings; vertical median strong crease. Small margins. Plate for the set “Vues et fabriques d’Italie”, 1803-1805.

Belle épreuve sur vergé en coloris d’époque. Déchirure verticale en-tête d’environ 80 mm; quelques petits trous; plis, traces de plis et taches. Rare. Nous n’avons pas retrouvé mention de cet éditeur et de cette gravure.

French school
Ca 1810
Lithography

Edgar DEGAS
1834 Paris + 1917 Paris
Etching and aquatint

Tabanelli nr 46 (I/II). Very good impression on laid paper of first state (of 2), before the ombrella, the cushion and the pinting, signed and dedicated “à mon ami Sagot”. Rares handling creases and rests of sticky paper at top on the back. Good margins.

Edouard DUFEU
1840 Maucille + 1940 Grasse
Etching

1832 Paris + 1883

Harris nr 33 (VI/VIII); M. Guérin nr 23 (III/III). Very good impression on laid paper, of 6e state (of 8), published in l’album de la “Société des Aquafortistes” in 1864. Some handling creases mostly marginal; some very slight traces of rubbing and slight oxidation on the edges of margins. Wide margins.

Roger-Marx nr 2 (II/II). Good impression on wove paper printed in black and beige, published by “l’Estampe Originale” in 1893. Légères traces de plis souples en pied; slight oxydation and empoussiérage; some slight small foxings claires. Good margins. Dry stamp of “l’Estampe Originale”. Edition of 100 impressions and some épreuves d’essai.

Emil ORLIK
1870 Prague + 1932 or 1934 Berlin
Lithography

Émile BOILVIN
1845 Metz + 1899 Paris
Etching and engraving