Good impression on wove paper printed in black and red chalk at the location. Some rare foxings, mostly visible on the back; some small snags on the subject, one causing a tiny hole; slight small break at center. Good margins.
1822 Montrelais + 1885 Sèvres
Sigismond HIMELY 1801 Neuveville + 1872 Paris Aquatinte d’après Pâris
Trace de pli diagonal; quelques taches au verso. Ex collection C. Caunier (Lugt n°567b) et cachet (?) non identifié.
Harrington nr 52. Very good impression on laid paper published in the Gazette des Beaux Arts in 1864.
Slightly tiled. Creases, mostly marginal.
Théodore CHASSERIAU 1819 Sainte Barbe de Samana + 1856 Paris Soft ground etching and etching
Théodore GÉRICAULT 1791 Rouen + 1824 Paris Lithography
Théodore GERICAULT 1791 Rouen + 1824 Paris Lithography
Théodule RIBOT 1823 St Nicolas d’Attez + 1891 Colombes Etching
Théodule RIBOT 1823 Saint Nicolas d’Asset + 1891 Colombes Etching
Théodule RIBOT 1823 St Nicolas d’Attez + 1891 Colombes Etching and aquatint
Théophile-Alexandre STEINLEN 1859 Lausanne + 1923 Paris Lithographie originale
I.F.F. nr 10. Very good impression on wove paper published in “L’Image en 1897”.
