Théophile Alexandre STEINLEN
1859 Lausanne + 1923 Paris
drypoint

Théophile-Alexandre STEINLEN
1859 Lausanne + 1923 Paris
Lithographie originale

Robert Dumesnil nr 344. Good impression of the only state, the letter at foot trimmed here. Small repair on the front; montée à fenêtre. Plate resuming the portrait by Jacob of Gheyn II.

I.F.F. nr 10. Very good impression on wove paper published in “L’Image en 1897”.

V. GUIGOU
? Aix en Provence – probably active at Lyon in the middle of XVII century
Engraving – oil painting

Very good impressions printed in bistre and blood, one of state, signed. Smal irregular margins.

Veuve CHEREAU editor in Paris
Beginning of XIXth century
Etching

Victor HAMEL
1832 Fécamp + 1895
Etching

Very good impression on simili japan paper, published in “Dix peintres au XXe siècle” in 1927. Good margins.

Set of 15 engraving mostly by etching by Roux-Champion (7), E. Bernard, M. Denis, G. d’Espagnat, P. Gobillard, M. Luce, D. de Monfreid, K. X. Roussel (in red chalk) and L. Valtat. Impressions on japan paper in its box and with the different texts.

Very good impression on strong wove greyish paper. Marginal slight trace of passe-partout. Small margins.

Very good impression on laid paper, dedicated “à mon vieux Guérard” and signed. Small margins.

Henri Charles GUÉRARD – Auroch attaqué par un serpent, 1889
1846 Paris + 1897 Paris

« Essais lithographiques sur l’exposition au Musée Royal de l’année 1819 », complete set of 45 prints
France, 1819
Anonymous lithographs after exhibited paintings in the Salon of 1819

Charles-Melchior DESCOURTIS
1753 Paris + 1820 Paris
Gravure aux outils imprimée en couleurs au repérage d’après Wolff

Charles-Nicolas COCHIN
1715 Paris + 1790 Paris
Etching