after E. A. PETITOT
1727 Paris + 1801 Parme
Etching by Boucher son

L. Marchesano and C. Michel nr 3; Robert-Dumesnil nr 42. Very good impression in two sheet assemblées. Slight foxings, mostly in the lower. Vertical median fold; some tiny épidermures and some marginal short tears. Girard Audran and Gérard Édelinck traduisirent, between 1672 and 1678, les grandes toiles peintes par Charles Le Brun illustrant les Batailles […]

Good impressions. Some creases; a sligt diagonal break at left. Small margins.

after Ferdinand ROYBET
1840 Uzès + 1920 Paris
Etching

Sanchez-Seydoux 1875-28. Very good impression on laid apaer published in “L’Art en 1875”. Wide margins.

1684 Valenciennes + 1721 Nogent

after Jean Baptiste HUET
1745 Paris + 1811 Paris
Engraving in chalk manner

I.F.F. nr 258. Good impression of 2nd state (of 3), before Basan’s address. Thread margins. Framed (not seen out of frame).

after Jean PILLEMENT
1728 Lyon + 1808 Lyon
Chalk manner by Louis Dagoty

After Jean-Baptiste HUET
1736 Paris + 1793 Paris
Crayon manner engraving

I.F.F. nr 312 (II/II). Good impression. Slight median creases; some small skinned paper areas and small accidents on the edges; small tear in the sky. Watermark : double-headed eagle.

I.F.F. nr 314 (II/II). Very good impression. Some stains in the sky; rare skinned paper areas; small tear repair in the letter. Thread margins. Plate for the “Collection des Ports de France”.

I.F.F. nr 315 (II/II). Very good impression. Some skillful small repairs in the sky. Rare skinned paper areas in the letter; two or three tiny repairs in the letter and tiny stains. Small margins or thread margins on three edges.

I.F.F. nr 313 (II/II). Very good impression. Tiny thin paper areas on the edges and tiny stains in the sky. Small margin at foot. Watermark : double-headed eagle.

after Léon COGNIET
1794 Paris + 1880 Paris
Etching by Joseph Coiny (1795+1829)

after Louis Auguste de SAINSON
1800 Paris + 1874 Paris
Lithography by van der Burch and Adam