André DUNOYER de SEGONZAC
1884 Boussy St Antoine + 1974 Paris
Drypoint

André FAVORY
1888 Paris + 1937 Paris
Woodcut

I.F.F. n°59. Very good impression on laid paper, published in “L’Illustration Nouvelle” in 1877. Some slight soft creases. Wide margins.

André LAMBERT
1884 Stuttgart + 1967
Etching

De Grazia-Bohlin nr 21 (II/IV). M. Bury “The Print in Italy” nr 50. Very good impression trimmed out the platemark, of 2nd state (of 4), before V. van Aelst’s address. Some creases, especially horizontal down; rests of mounting paper along the left edge.

Anonymous french
Beginning of XIX century
Etching and engraving

Anonymous german, before 1500
End of XVth century
Woodcut

Anonymous, french school
XVIIth century
Etching

Anonymous
middle of XVIIth century
Etching after C. Mellan

Anonymus XVIIth century

Etching

New Hollstein nr 4 (V/V). Very good impression of the last state, the Gillis Hendrickx’s initials arased. Very slight soft fold and very slight oxidation of the sheet. Edition of beginning of XVIIIth century. Good margins. Watermark : stationer’s initial.

1599 Blackfriars + 1641 Londres

Hollstein nr 127 (II/II). Very good impression trimmed at the limit of platemark at left, of 2nd state (of 2). Three tiny tears on the left side; two or three small stains; bande de papier sur le bord droit au verso. Watermark : armes d’Amsterdam and contremarque. Plate to a set of six “Mythologic landscapes”. […]

Anthonie WATERLOO
1609 Lille + 1690 Utrecht
Etching

Hollstein nr 3. Good impression on beige laid paper of the only state. Small thin paper area in center and in the left margin; small stains and rests of mounting paper in the angles on the back. Plate to the set of four “Evangelists”.

Antoine COYPEL
1661 Paris + 1722 Paris
Eau-forte originale