Antoine COYPEL
1661 Paris + 1722 Paris
Eau-forte originale

Antoine Louis BARYE
1796 Paris + 1875 Paris
Lithography

Antoine MASSON
1636 Couvry + 1700 Paris
Engraving

Antoine PIERRETZ
active about 1660
Etching after Poissant

Bartsch Ill. nr 30 (172). Good impression trimmed on or out the borderline, printed by two plates, one in light green, the other in black. Folds and creases mostly visible in raking light, some inherent at the edition; held by the left edge on a sheet of framing.

New Hollstein nr 3 (V/VI). Good impression of 5 state (of 6), les initiales de G. Hendrick effacées. Oxidation of the sheet; slight pli d’impression dans l’angle inférieur droit. Wide margins. Watermark : grapes.

Antonio TEMPESTA
1550 Florence + 1630 Rome
Etching

Bartsch Ill. 1098 (165). Good impression trimmed in the platemark, with engraved number. Glued by the upper edge. Plate to the set of “Various animal hunst and battle scenes”, 1602

Armand BERTON
1854 Paris – 1927
Etching

Kraemer nr . Good impression on china paper laid down on thin wove paper, published in “Paris à l’Eau-forte” during may 1874. Strong fold mostly marginal. Ex collection Charles Guillemain (Lugt nr 4764).

Armand GUILLAUMIN
1841 Paris + 1927 Grignon
Autographie originale

Armand GUILLAUMIN
1841 Paris + 1927 Orly
Lithography

Armand QUEYROY
1830 Vendôme + 1893 Moulins
Etching

Rouir nr ? Very good impression on strong wove paper, signed. Very few trace of passe-partout; slight rubbing trace and rests of glue on the back. Small margins.

Rouir nr 382 (?/III). Very good impression on simili japan paper, probably of 1st state (of 3), before new works, signed by the artist. Our impression is annotated at foot maybe by the artist “Ars longa Vita brevis 3 épreuves”. Good margins. Rare.

Très belle épreuve rehaussée à l’aquarelle à l’époque. Infimes taches et traces de plis. Bonnes marges. Planche pour le “Recueil de la Collection des Prix que la ci-devant Académie d’Architecture proposait et couronnait tous les ans”, 1787-1796 (?)