Michel Amédée BESNUS
1831 Paris + 1909
Etching

Very good impression on laid paper published by the “Société des Aquafortistes” in 1863. Rare marginal stains. Wide margins.

Michel Barthélémy OLIVIER
1712 Marseille + 1784 Paris
Etching

Robert-Dumesnil nr 67 and 68. Very good impressions de deux compositions formant pendant, of the only state. Vertical median crease habituel; some stains mostly marginal. Edition end XVIIth or beginning XVIIIth century. Wide margins. Les sujets représentent des plafond peints au château de Chilly, probably by François Perrier, for le marquis d’Effiat.

Michel LASNE
ca 1590 Caen + 1667 Paris
Etching and engraving

Michel LASNE
ca 1590 Caen + 1667 Paris
Engraving

Lieure nr 664 (II/II). Good impression slightly trimmed of 2nd state (of 2), the deleted number. Many small lacunas and repairs on the edges, two small accidents in the subject; tear in the letter and in the lower right angle.

Michel-Honoré BOUNIEU
1740 Marseille + 1814 Paris
Manière noire originale

Mily POSSOZ
1889 Lisbonne + 1967 Lisbonne
Dry point

Parfaite épreuve sur vélin fort, signée et annotée “épreuve d’artiste”. Timbre sec de l’éditeur M. Guiot.

Mily POSSOZ
1889 Lisbonne + 1967 Lisbonne
Dry point

Mily POSSOZ
1889 Lisbonne + 1967
Drypoint heightened

Very good impression of essay on wove paper, signed and annotated at foot “N2” with some small retouches de la main de l’artiste. Wide margins.

Mily POSSOZ
1888 Lisbonne + 1968 Lisbonne
Dry point

Mily POSSOZ
1888 Lisbonne + 1967 Lisbonne
Drypoint

Good impression in colors of the time. Some rare stains, mostly marginal; slight oxidation. Small margins. “Place royale” in Paris become “place des Vosges”.