Maurice GUÉROULT
1875 Paris + ca 1950
Brush and ink, color highlights, signed twice

Maurice NEUMONT
1868 Paris + 1930 Paris
Lithography

Très belle épreuve sur vergé. Belles marges. Timbre sec de la “Société des Aquafortistes Belges”.

Max KLINGER
1857 Plagwitz + 1920 Grossjena
Etching and aquatint

Maxime LALANNE
1827 Bordeaux + 1886 Nogent sur Marne
Etching

Maxime LALANNE
1827 Bordeaux + 1886 Nogent sur Marne
Etching

Maxime MAUFRA
1861 Nantes + 1918 Poncé
Soft ground etching and aquatint

ca 1527 Flensburg + after 1583 Copenhague

Michael FENNITZER
1641 Nüremberg ? + 1701 Wittenberg
Mezzotint

Michel Amédée BESNUS
1831 Paris + 1909
Etching

Very good impression on laid paper published by the “Société des Aquafortistes” in 1863. Rare marginal stains. Wide margins.

Michel Barthélémy OLIVIER
1712 Marseille + 1784 Paris
Etching

Robert-Dumesnil nr 67 and 68. Very good impressions de deux compositions formant pendant, of the only state. Vertical median crease habituel; some stains mostly marginal. Edition end XVIIth or beginning XVIIIth century. Wide margins. Les sujets représentent des plafond peints au château de Chilly, probably by François Perrier, for le marquis d’Effiat.

Michel LASNE
ca 1590 Caen + 1667 Paris
Etching and engraving

Michel LASNE
ca 1590 Caen + 1667 Paris
Engraving

Lieure nr 664 (II/II). Good impression slightly trimmed of 2nd state (of 2), the deleted number. Many small lacunas and repairs on the edges, two small accidents in the subject; tear in the letter and in the lower right angle.