New Hollstein nr 338 (II/IV). Good impression of 2nd state (of 4), with the numéro gravé but before la modification de l’adresse. Forte oxydation du feuillet; légères small foxings and small stains; small marginal lack renforcé at top. Good margins. Watermark : double C couronné. Plate to the set of “Nouvelles Inventions des Temps Modernes”, […]

New Hollstein nr 329 (I/III). Very good impression of first state (of 3), before name of editor change. Oxidation of the sheet; slight vertical creases, notably median and some tiny pinholes. Good margins. Plate to the set of twenty, whose a title, relating “Les nouvelles inventions des temps modernes”, ca 1591. Watermark : crowned double […]

after Léon COGNIET
1794 Paris + 1880 Paris
Etching by Joseph Coiny (1795+1829)

after Louis Auguste de SAINSON
1800 Paris + 1874 Paris
Lithography by van der Burch and Adam

after Maerten van HEEMSKERK
1498 Haemskerk + 1574 Haarlem
Engraving by Philippe Galle

after Mark CATESBY
1679 + 1749
Etching by Seligmann

Bartsch nr 25 (U. da Carpi); Bartsch Ill nr 25; cf Takahatake “The chiarosccuro wwodcut in Renaissance Italy” p. 130. Good impression printed in two plates of tons and a plate of trait, of 2nd state (of 2), du tirage d’A. Andreani ca 1608-1609. Vertical median fold; some rare creases; contrecollée.

after Pierre Narcisse GUERIN
1774 Paris + 1833 Rome
Lithography by Belliard

after Pierre Paul RUBENS
1577 Siegen + 1640 Anvers
Mezzotint after Rubens

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after Le Tintoret

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after The Tintoret

1557 Bologna + 1602 Rome

Agostino CARRACCI
1557 Bologne + 1602 Parme
Engraving after Le Tintoret

Albert BELLEROCHE
1864 Swansea + 1944 Southwell
Lithography

Albert BELLEROCHE
1864 Swansea + 1944 Southwell
Lithography

Albert FLAMEN
Actif à Paris + ca 1669 Paris
Etching