Wilton-Ely n°49. Very good impression on laid paper. Good margins. Planche des différents travaux d’architecture, perspectives, grotesques and antiquités. Watermark : fleur de lys encerclée.

Hind nr 15 (I/VI). Very good impression of first state (of six) before Bouchard and Gravier’s address. Some pronunced folds and creases mostly at top, slight vertical median crease. Small margins. Rare. Watermark : lily flower in a double circle.

De Vesme nr 7; Rizzi nr 33 (II/II). Very good impression of 2nd state (of 2), avec la signature de l’artiste. Maintenue by some points de colle on old laid paper; some small accrocs sur les bords and some creases. Thread margins. Plate to the set of ten “Caprices”. Ex collection A. M. Zanetti (Lugt […]

Giovanni Benedetto CASTIGLIONE
1609 Gênes + 1664
Etching

Bartsch Ill. nr 50 (II/II). Good impression trimmed about 7 mm in width and 4 mm at top, of 2nd state (of 2), the plate trimmed. Tip of the upper left angle gauche missing; small thin paper areas in the left angles; horizontal fold open at right; some small corps étrangers (inherent to paper ?). […]

Rizzi nr 47. Good impression on laid paper of 4th or 5th state (of 5). Slight horizontal crease. Edition about 1850. Good margins. Plate to a set of sixteen illustrating “Via Crucis”.

Giovanni Francesco GRIMALDI
1606 Bologne + 1680 Rome
Etching

Giovanni Francesco GRIMALDI
1606 Bologne + 1680 Rome
Etching

Giovanni-Antonio CANALETTO
1697 Venise + 1768 Venise
Etching

Giovanni-Antonio CANALETTO
1697 Venise + 1768 Venise
Etching

Giovanni-Battista PIRANESI
1720 Venise + 1778 Rome
Etching

Giulio BONASONE
Active in Bologne and Rome from 1531 + after 1576
Engraving after Perino del Vaga.

Giulio CARPIONI
1613 Venise + 1678 Vicence
Etching

Giuseppe de NITTIS
1846 Barletta + 1884 Saint Germain en Laye
Etching and drypoint

Guillaume VALLET – Charles François de Loménie de Brienne

Lecomte nr 153 (II/II). Good impression on laid paper vergé, numbered and signed, of the last state. Total edition of 75 impressions. Very slight trace de passe partout à l’ouverture of an old mounting; slight wove creases. Dry stamp of the editor E. Sagot (Lugt nr 2254).