New Hollstein nr 32 (V/V). Very good impression trimmed at the platemark, of the definitive state, with the last small retouches. Some very légères creases and some very slight stains visible on the back. Edition of XVIIIth century.

Adrien MANGLARD
1696 Lyon + 1760 Rome
Etching

after E. A. PETITOT
1727 Paris + 1801 Parme
Etching by Boucher son

L. Marchesano and C. Michel nr 3; Robert-Dumesnil nr 42. Very good impression in two sheet assemblées. Slight foxings, mostly in the lower. Vertical median fold; some tiny épidermures and some marginal short tears. Girard Audran and Gérard Édelinck traduisirent, between 1672 and 1678, les grandes toiles peintes par Charles Le Brun illustrant les Batailles […]

Good impressions. Some creases; a sligt diagonal break at left. Small margins.

after David TENIERS
1610 Anvers + 1690 Bruxelles
Etching

after Ferdinand ROYBET
1840 Uzès + 1920 Paris
Etching

New Hollstein (after Goltzius) nr 548 (II/II) and 550 (II/II). Very good impressions of 2nd state (of 2), with the engraved numbers. Some creases, mostly in the corners. Thread margins. Plate to the set of “Ovid’s Metamorphoses”, 1589, including 20 subjects.

New Hollstein nr 164. Good impression trimmed at the platemark of the only state. Short tear at foot; rests of mounting paper et de colle in the corners on the back; creases and small defect in l’angle inférieur gauche. Plate to the set of dix “Mascarades”.

After Jacob SAVERY I
ca 1565/67 Courtrai + 1603 Amsterdam
Engraving

New Hollstein nr 166. Good impression trimmed at the platemark or avec filets de marges, of the only state. Rest of glue and of mounting paper in the corners on the back; small foxings and a number à l’encre en tête légèrement visible au recto. Septième plate to a set of ten “Mascarades” very probably […]

after Jan BRUEGHEL the Young
1568 Bruxelles + 1625 Anvers
Engraving by A. Sadeler

1684 Valenciennes + 1721 Nogent

after Jean Baptiste HUET
1745 Paris + 1811 Paris
Engraving in chalk manner

after Jean PILLEMENT
1728 Lyon + 1808 Lyon
Chalk manner by Louis Dagoty

After Jean-Baptiste HUET
1736 Paris + 1793 Paris
Crayon manner engraving