Élisabeth KROUGLICOFF – Les Canards, 1905

Emil ORLIK
1870 Prague + 1932 or 1934 Berlin
Lithography

Émile BOILVIN
1845 Metz + 1899 Paris
Etching and engraving

Émile BOILVIN
1845 Metz + 1899 Paris
Soft ground etching and etching

Émile BOILVIN
1845 Metz + 1899 Paris
Etching and soft ground etchin

Émile BOILVIN
1845 Metz + 1899 Paris
Etching and soft ground etchin

Emile de SPECHT
1845 Saint Denis + 1909
Monotype repris à la plume et encre

Emile de SPECHT
1843 Saint Denis + 1909
Monotype retouched

Very good impression on wove paper annotated “2/6 4e état” and signed. Good margins.

Émile Jean SULPIS
1856 Paris + 1943
Etching, dry point, roulette and aquatint

Emile Jean SULPIS
1856 Paris + ca 1943
Pencil, charcoal and pastel

Émile Jean SULPIS
1856 Paris + 1943
Etching and dry point

Emile OTHON-FRIESZ
1879 Le Havre + 1949 Paris
Woodcut

Good impression avec le texte typographié, d’une édition incertaine, but very probably before 1500. Slight oxidation on the edges; some very light stains and two very short tear at feet. Plate illustrating l’ouvrage de Sebastien Brandt, “La Nef des fols de ce monde”, 1494 (for the first edition). Watermark : fragment de tête de boeuf.

Very good impression provenant probablement d’un ouvrage. Slight vertical median crease; two tiny thin paper areas. Thread margins.

Robert-Dumesnil nr 1 (II/IV). Malgouyres, exhib. “Mellin” nr 18a (II/V). Very good impression of 2d state (of 5), before all letter. Some tiny thin paper areas at foot; two or three tiny marginal tears and slight horizontal median crease. Small margins on three sides. Our impression, on an italian paper, is rare. None impression of […]