Delteil-Cailac nr 196. Shapiro and Mélot p 23. Good impression printed in brown-red on thin wove paper, of the only state. Diagonal fold brand at top. “Le dessin au vernis sur la plaque de zinc a été fait par Camille Pissarro mais la morsure par son fils Lucien…” Jean Cailac. There would be a posthumous […]

Camille PISSARRO
1830 Saint Thomas + 1903 Paris
Etching and aquatint

Camillo GRAFFICO
ca 1565 Cividale del Friuli + 1615
Engraving

Camillo GRAFFICO
ca 1565 Civitale del Friuli + 1615
Engraving

Bartsch ill nr 3 (I/II). Very good impression trimmed at the platemark, of first state (of 2), before Mariette’s address. Some small foxings and very sligt stains. Camillo Procaccini n’exécuta que six eaux-fortes. Les traces de polissage du cuivre demeurent très visibles on our impression.

Carl Wilhelm KOLBE
ca 1760 Berlin + 1835
Etching

Carlo CARLONE
1686 Scaria + 1775
Etching

Carlo LASINIO
1759 Trévise + 1838
Mezzotint

Carlo LASINIO
1759 Trévise + 1838
mezzotint

Carlo LASINIO
1759 Trévise + 1838 Pise
Manière noire d’après Le Guerchin

Charles Albert WALTNER
1846 Paris + 1925 Paris
Etching and dry point after Dagnan-Bouveret

Charles COLEMAN
ca 1807 Pontefract (GB) + 1874 Rome
Etching

Charles COLEMAN
ca 1807 Pon Te Fract + 1874 Rome
Etching

Charles COTTET
1863 Le Puy + 1925
Lithographie originale

Charles COTTET
1863 Le Puy + 1925 Paris
Soft ground etching

Morane nr 4. Very good impression on flier china paper, printed in colors, signed and numbered. Small foxings mostly visible on the back and in margins; short marginal tear and some creases. Wide margins. Edition of 100 impression for the “Galerie d’estampes originales” of A. Vollard.