Bartsch nr 30; New Hollstein nr 30. Very good impression trimmed out the border. Rests of mounting paper on the back. Plate to the set of “The fall and Rédemption of man…”.

Albrecht ALTDORFER
ca 1480 Ratisbonne + 1538
Woodcut

Meder nr 255; Bartsch Ill. nr 354 Block 3 (II a/b/III); Schoch, Mende and Scherbaum II-252-3. Very good impression trimmed on the borderline or slightly inside it, of the 2nd state A (of 3), before the break in the right side and the Dürer monogram. Small restored tear of about 25 mm above the nose; […]

Strauss nr 65. Meder nr 15 (a-b/e). Very good impression irrégularly trimmed at the platemark, of the only state a-b (sur e). Some amincissures, surtout en tête; small repair sur l’épaule de Marie-Madeleine and déchirure restaurée dans le bras de la Vierge; some small déchirures restaurées. Plate to the set de la “Petite Passion” on […]

Anonymous german, before 1500
End of XVth century
Woodcut

assigned to Jonas UMBACH
ca 1624 Augsbourg + 1693 Augsbourg
Etching

attributed to Mathias ZÜNDT
ca 1498 active in Nuremberg + 1572
Etching

Very good impression on laid paper in colors of the time. Slight creases.

Balthazar KÜCHLER
ca 1571 + 1641 Gmünd
Etching

Berhard PANKOK
1872 Germany + 1943 Baierbrunn
Mezzotint

Carl Wilhelm KOLBE
ca 1760 Berlin + 1835
Etching

Martens nr 170 (II/II). Very good impression on laid paper, of 2nd state (of 2), with the number. Glued by the angles on laid paper; Three small tears coming from a few millimeter in the subject; a few creases mostly visible in rasing light and a few stains. Small margins.

Martens nr 172 (II/ ). Griffith and Carey nr 66. Very good impression on laid paper, of 2nd state (of ), with the number. Strong horizontal médian fold; glued by a few points; stain at upper left; other small defects. Small margins. Plate from the portfolio ” d’estampes of landscapes” of the artist published in […]

Daniel CHODOWIECKI
1726 Dantzig + 1801
Etching

Daniel MEYER
Active in Franfort at beginning of XVIIth century
Etching

Good impression avec le texte typographié, d’une édition incertaine, but very probably before 1500. Slight oxidation on the edges; some very light stains and two very short tear at feet. Plate illustrating l’ouvrage de Sebastien Brandt, “La Nef des fols de ce monde”, 1494 (for the first edition). Watermark : fragment de tête de boeuf.