Auguste Louis LEPÈRE
1849 Paris + 1918 Domme
Woodcut

I.F.F. nr 2 (Unknow in full length). Good impression on wove paper of the only state. Laminated on cardboard; two tears at foot with small lacks associate. Good margins. Rare.

Augustin de SAINT AUBIN
1736 Paris + 1807 Paris
Etching and engraving

Very good impression on thin wove paper, signed ?. A slight crease; some small stains and fixed by some points of glue on strong laid paper. Small margins.

Balthazar Jean BARON
1788 Lyon + 1869 Lyon

Good impression on laid paper in colors of the time. Some creases and some stains on the back. Small margins.

Good impressions on laid paper in colors of the time. Upper left corner restored; stains and accidents in the letter, creases.

Very good impression on laid paper in colors of the time. Some tiny creases and stains. Margin on three sides.

BASSET editor in Paris
Beginning of XIX century
Etching and dotted

BASSET editor à Paris
Active between circa 1750 to 1785
Etching and engraving

BASSET printer in Paris
Beginning of XIXe century
etching after Courvoisier

Benoît DUBOIS
1619 Dijon + 1680 Dijon
Etching

Bernard BOUTET de MONVEL
1884 Paris + 1949 au large des Açores
Original etching and aquatint

Very good impression on different papers, of 1st, 2nd et 3rd state, signed and annotated. Good margins.

Poncetton n°4. Belle épreuve signée. Dessin signé et titré. Rousseurs marginales prononcées à la gravure; petite déchirure en tête au dessin et empoussiérage. Oeuvre puissante de Bernard Naudin, dans la lignée de Goya. Rare.

Signed at lawer left and titled. Some tears on the edges; laid down on canvas. Nice drawing from the artist’s youth, inspired by Goya.