Pierre Louis MOREAU
1876 Paris + 1960
Drypoint

Pierre MOREAU
ca 1715 / 20 + 1762
Etching

Exhib “Piranèse et les français” nr 125 (II/II). Good impression of 2nd state (of 2), with Naudet’s address. Rests of paper on the back; some rubbing traces. Small margins.

Pierre Narcisse GUÉRIN
1774 Paris + 1833 Rome
Lithography

Goncourt nr 4 (III/VI). S. Laveissière nr 74. Very good impression on wove paper of 3rd state (of 6), before the letter. Small foxings out the subject; slight dusty and small defects on the edges. Our impression corresponds to Bernard’s publication status. Prud’Hon created this engraving to illustration for edition of a poem by Pierre […]

Pierre PUVIS de CHAVANNE
1824 Lyon + 1898 Paris
Etching and drypoint

Pierre ROCHE
1855 Paris + 1922 Paris
Lithography

Very good impressions. Some very rares stains or marginal creases; a yellowed leaf. Wide margins. Set of 24 flowers représentation on twelve sheets, the whole thing held together by a thread (except the last one). Set perhaps complete. Rare. Watermark : Le Tellier’ arms and other

Pierre WOEIRIOT
1532 Neufchâteau + 1589/96
Engraving after B. Peruzzi

Pierre WOEIRIOT de BOUZEY
1532 Neufchâteau + after 1589/1596
Engraving after Perruzzi

Pierre-Auguste RENOIR
1841 Limoges + 1919 Cagnes sur Mer
Original etching and drypoint

Pierre-Edme BABEL
1720 Paris – 1775 Kehl
Etching after Nicolas or Dominique Pineau

Belle épreuve sur vergé, justifiée et signée au crayon bleu. Manques marginaux; quelques légères traces de plis. Petites marges.

Raoul du GARDIER
1871 Wiesbaden + 1952 Pornic
Etching and aquatint

Belle épreuve sur vergé imprimée en brun et rouge, justifiée et signée. Trace de passe-partout à l’ouverture d’un ancien montage; légère trace de pli vertical et petite cassure. Tirage à 25 épreuves. Belles marges.

René BOYVIN
ca 1525 Angers + ca 1625
Engraving after L. Thiry