Préaud nr 230 (II/II). Good impression of 2nd state (of 2), with the inscriptions engraved on the edges. Some creases; tips of the marginal corners torn off. Ce cuivre a servi, en son premier état, à orner un placard typographié avec un poème de La Mesnardière, conseiller et maître d’hôtel ordinaire de sa Majesté. Il […]

Jean LEPAUTRE
1618 Paris + 1682 Paris
Original etching

Jean MAROT
1619 Paris + 1678
Etching

Jean Michel MOREAU the jung (attributed to)
1741 Paris + 1814 Paris
Pen and grey ink and black, grey wash

Jean MORIN
ca 1605 + 1650 Paris
Etching and engraving

Jean MORIN
1605/1610 Paris + 1650 Paris
Etching after J. Fouquières

Jean MORIN
ca 1605 + 1650 Paris
Etching and engraving after de Champaigne

Jean MORIN
ca 1605 Paris + 1650
etching and engraving after Champaigne

cf Guilmard p.85. Very good impression for a set of “Corbeille” (?). Creases mostly marginal; slight vertical median crease; many small foxings mostly marginal and on the back. Watermark : coat of arms of Le Tellier (close to Gaudriault nr 132), ca 1680

Very good impression for a set of “Corbeilles” (?). Some marginal creases; tiny other small defects. Good margins. Rare. Watermark : coat of arms to Le Tellier, (close to Gaudriault nr 132), ca 1680.

Jean TOUL
1734 Trêves + 1796 Bordeaux
Black pencil and brown wash

Jean-Baptiste Camille COROT
1796 Paris + 1876 Ville d’Avray
Etching

Jean-Baptiste de GRATELOUP
1735 Dax + 1817 Dax
Tools engraving after Dassier

Jean-Baptiste MILLET
1830 Gruchy + 1906
Black pencil

Robert-Dumesnil nr 61 (V/V). Very good impression trimmed at the platemark of the last state. Some slight creases. Seventh plate to a set for pour the “Roman comique” by Scarron of which only part was engraved by the artist.

Jean-Baptiste-André GAUTIER-DAGOTY
1745 + 1783
Manière noire