Goncourt nr 4 (III/VI). S. Laveissière nr 74. Very good impression on wove paper of 3rd state (of 6), before the letter. Small foxings out the subject; slight dusty and small defects on the edges. Our impression corresponds to Bernard’s publication status. Prud’Hon created this engraving to illustration for edition of a poem by Pierre […]

Pierre-Edme BABEL
1720 Paris – 1775 Kehl
Etching after Nicolas or Dominique Pineau

Pietro MONACO
1707 Belluno + 1772 Venise
Etching and engraving

Richard Van ORLEY
1663 Bruxelles + 1732 Bruxelles
Etching

Rienk JELGERHUIS
1729 Leeuwarden + 1806
Mezzotint

Robert HECQUET editor
1693 Abbeville + 1775 Paris
Etching and engraving

Robert SAYER publisher in London
Second half of the XVIIIth century
Etching and engraving

Le Blanc nr 7 (II/II). Very good impression of 2nd state (of 2), with the letter. Foxings mainly visible in the margins by transparence. Wide margins.

Robert STRANGE
1721 Kirkhall + 1792 Londres
Etching and engraving after Greuze

Robert STRANGE
1721 Ile Orhney + 1792 Londres
Eau-forte et burin d’après G. Reni

Salomon GESSNER
1730 Zurich + 1788
Etchings after L. Hess, Wüst…Set of 19 etchings (of 20 ?)

Very good impression complete and enhanced with gouache and varnished, in a provençal setting or northern italy of XVIIIth century. Rare shards or small accidents at frame. The print has not been removed from its frame.

Stefano MULINARI
ca 1741 Florence + 1790
Etching and aquatinted after Parmigianino

William HOGARTH
1697 Londres + 1764 Chiswick
Etching and engraving

ANGLETERRE – XVIIIème siècle

Eau-forte et burin

Charles-Melchior DESCOURTIS
1753 Paris + 1820 Paris
Gravure aux outils imprimée en couleurs au repérage d’après Wolff