Claude-Louis DESRAIS (d’après)
1746 Paris + 1816 paris
Etching and engraving by Dupin

Belle épreuve sur vergé en coloris d’époque. Déchirure verticale en-tête d’environ 80 mm; quelques petits trous; plis, traces de plis et taches. Rare. Nous n’avons pas retrouvé mention de cet éditeur et de cette gravure.

Daniel CHODOWIECKI
1726 Dantzig + 1801
Etching

Very good impression on laid paper in colors of the time. Small margins.

Good impression on laid paper in colors of the timpe. Creases and breaks, mostly on the edges; marginal short tear. Small margins.

Very good impression on laid paper in colors of the time. Short tear at foot and at top; some creases. Small margins on two sides. Our impression reprend in the same sens la gravure de Jan van Londerseel after Hendrick Arts (?) exécutée vers 1600.

Very good impression on laid paper in colors of the time. Some creases on the edges; some stains, mostly at right and in the letter. Good margins.

Very good impression on laid paper in colors of the time. Creases, mostly marginal and in the letter; rare stains.

Edme JEAURAT
1699 Paris + 1789 Versailles
Etching and engraving after Pesne

Very good impression provenant probablement d’un ouvrage. Slight vertical median crease; two tiny thin paper areas. Thread margins.

Flemish school
Beginning of XVIII century
Pen and brown ink, grey wash

Le Blanc nr 1. Very good impression on strong laid paper. Two small tears reinforced in the letter and one at top, outside the engraved part; some other small defects mostly marginal. Small margins on three sides.

François Bernard LEPICIE
1698 Paris + 1755 Paris
Etching and engraving after Watteau

Good impression on laid paper in colors of the time. Creases mostly soft; vertical median crease.

French school
XVIIIe century
Black stone

French school
XVIIIe century
red chalk