Good impression trimmed at the platemark. Slight creases, mostly in the lower right angle.

Adrien MANGLARD
1696 Lyon + 1760 Rome
Etching

after E. A. PETITOT
1727 Paris + 1801 Parme
Etching by Boucher son

Good impressions. Some creases; a sligt diagonal break at left. Small margins.

1684 Valenciennes + 1721 Nogent

after Jean Baptiste HUET
1745 Paris + 1811 Paris
Engraving in chalk manner

after Jean PILLEMENT
1728 Lyon + 1808 Lyon
Chalk manner by Louis Dagoty

After Jean-Baptiste HUET
1736 Paris + 1793 Paris
Crayon manner engraving

I.F.F. nr 312 (II/II). Good impression. Slight median creases; some small skinned paper areas and small accidents on the edges; small tear in the sky. Watermark : double-headed eagle.

I.F.F. nr 314 (II/II). Very good impression. Some stains in the sky; rare skinned paper areas; small tear repair in the letter. Thread margins. Plate for the “Collection des Ports de France”.

I.F.F. nr 315 (II/II). Very good impression. Some skillful small repairs in the sky. Rare skinned paper areas in the letter; two or three tiny repairs in the letter and tiny stains. Small margins or thread margins on three edges.

I.F.F. nr 313 (II/II). Very good impression. Tiny thin paper areas on the edges and tiny stains in the sky. Small margin at foot. Watermark : double-headed eagle.

after Mark CATESBY
1679 + 1749
Etching by Seligmann

Very good impression on laid paper in colors of the time. Some rares small creases. Small margins on three side.

Very good impression on laid paper in colors of the time. Small creases; small stain in the letter. Small margins.

Très belle épreuve rehaussée à l’aquarelle à l’époque. Infimes taches et traces de plis. Bonnes marges. Planche pour le “Recueil de la Collection des Prix que la ci-devant Académie d’Architecture proposait et couronnait tous les ans”, 1787-1796 (?)