Lucas van UDEN
1595 Anvers + 1672/73 Anvers
Etching and engraving

Hollstein nr 30 (II/II). Good impression of the last state, with F. van Wyngaerde’s address and the last works. Wide margins. Watermark : folly.

New Hollstein (van Dyck) nr 53. Very good impression on laid paper of the last state. Rare marginal foxings; slight marginal oxidation. Edition about 1700. Wide margins.

Ludolf BACKHUIZEN
1631 Emden + 1708 Amsterdam
Etching

Hollstein nr 1. Very good impression printed in black and two teintes d’ocre, of the only state, the tablet at foot bearing Melchior Tavernier’s address trimmed here, as often. Three short tears about 10 to 15 mm hastily restored on the edges; usual horizontal médian crease and some other creases.

Ludolph BÜSINCK – The Holy Family with saint John the Baptist and sainte Anne, 1623
1599-1602 Münden + 1669 Münden

Luigi SCHIAVONETTI
1765 Bassano + 1810 Londres
Etching after William Blake

Luis JIMENEZ ARANDA
1845 Séville + 1928 Pontoise
Etching

Bartsch Ill. XXIX-78. Very good impression of the only state (?). Traces de plis dans les angles supérieurs, a rest of papier de montage collé au verso. Small margins. Watermark : ours or lion dans un écu.

Manuel ROBBE
1872 + 1936
Aquatint

Good impression on ocher wove paper, enhanced with watercolor by the artist. Oxidation at the window of an old mounting; marginal crease and tiny stains. Good margins. Edition probably of 12 impressions. Rare.

Marie Josèphe GERMAIN
1931 Saulxures sur Moselotte + 2012 Paris
Watercolor and pastel

Marie-Josèphe GERMAIN
1931 Saulxures sur Moselotte + 2012 Paris
Watercolor

Très belle épreuve sur vélin, justifiée, titrée, signée et datée. Timbre sec des “Peintres Graveurs Français”.

Very good impression on strong laid paper, numbered, titled, signed and dated.

Très belle épreuve sur vélin, justifiée, titrée, signée et datée. Quelques très légères traces de plis marginales; quelques salissures au verso. Grandes marges.