Good impression on laid paper in colors of the time. Marginal tears; marginal creases and slight stains and dusty.

New Hollstein nr 189. Good impression of the only state. Finely and anciently backed; some rare pinpoints; rare small marginal defects; oxidation of the sheet and slight creases. Small margins. Plate isolated, no part of the set of twelve “Officers and soldiers” in 1587.

Jacob de GHEYN II
1565 Anvers + 1629 La Haye
Burin d’après K. van Mander

New Hollstein nr 125. Good impression trimmed at the platemark of the only state. Creases and breaks; rests of mounting paper around the back and some small foxings. Watermark : lion or bear in a shield.

Cf Hollstein nr 376 to 425. Ten plates to a set of fifty. Very good impressions, good margins. A few small marginal foxings and rare creases.

Jacob JORDAENS
1593 Anvers + 1678 Anvers
Etching

New Hollstein nr 158. Good impression of the only state, trimmed out the platemark. Vertical tear repair of about 80mm at foot; two other small tears repaired in the letter; bottom margin restored. First plate to a set of five “Market and kitchen scenes”, 1603

Jacob van de VELDE
Active in second half of XVIIIth century
Etching and tools engraving after S. van der Does

Jacopo PALMA il Giovane
1548 Venise + 1628
Etching and engraving.

Fuhring p.314. Good circular impressions, after the reduction des cuivres irregularly trimmed at the platemark or into this one (the subject sometimes slightly trimmed in bord), laid down on des feuillets de vergé ancien. Traces de colle (?) sur le pourtour de five or six views whose the title. Some stains. Set of a title, […]

Griffiths and Hartley nr 39; Thuillier nr 69. Very good impression irregularly trimmed at the borderline, very slightly trimmed at upper left, of the only state, les fonds bien visibles. Watermark : double C crowned and countermark (W. nr 29). Upper left corner repaired and slight brown stain along the right edge and a few […]

Robert-Dumesnil nr 14 (II/II). Good impression of 2nd state (of 2), with the change in the letter. Laid down on old laid paper; vertical median crease; short tear at foot and slight stain at lower right. Thirteenth plate to the set of “La Galerie du palais Farnese” including thirty engravings.

Jacques BELTRAND
1874 Paris + 1977 Coucy les Eppes
Woodcut after Manet

Jacques BELTRAND
1874 Paris + 1977 Coucy les Eppes
Woodcut