Hollstein nr 4. Very good impression irregularly trimmed at the platemark, of 2nd state (of 3). Small tear of about 20mm repaired, in the upper left corner, tiny other small defects. Fourth plate in a series of twelve “Horses”. Ex collection Camesina de Pornal (Lugt 429) and A. P. van den Briel (Lugt 407a).

Bartsch Ill nr 153. Good impression trimmed out the borderline. Strong fold at upper left; a break fold vertical at top; creases in the angles and horizontal.

André DUNOYER de SEGONZAC
1884 Bourg Saint Antoine + 1974 Paris
Etching

Très belles épreuves sur vélin fort, signées et justifiées. Petites marges.

French school
Ca 1810
Lithography

Très belles épreuves coupées à la marque du cuivre. Ensemble de quinze planches et une autre sans rapport. Contrecollées sur deux feuillets vergés.

Edgar DEGAS
1834 Paris + 1917 Paris
Etching and aquatint

Tabanelli nr 46 (I/II). Very good impression on laid paper of first state (of 2), before the ombrella, the cushion and the pinting, signed and dedicated “à mon ami Sagot”. Rares handling creases and rests of sticky paper at top on the back. Good margins.

Edme JEAURAT
1699 Paris + 1789 Versailles
Etching and engraving after Pesne

Edmond Charles KAYSER
1882 Paris + 1965 Paris
Etching

Edouard DUFEU
1840 Maucille + 1940 Grasse
Etching

1832 Paris + 1883

Harris nr 33 (VI/VIII); M. Guérin nr 23 (III/III). Very good impression on laid paper, of 6e state (of 8), published in l’album de la “Société des Aquafortistes” in 1864. Some handling creases mostly marginal; some very slight traces of rubbing and slight oxidation on the edges of margins. Wide margins.

Roger-Marx nr 2 (II/II). Good impression on wove paper printed in black and beige, published by “l’Estampe Originale” in 1893. Légères traces de plis souples en pied; slight oxydation and empoussiérage; some slight small foxings claires. Good margins. Dry stamp of “l’Estampe Originale”. Edition of 100 impressions and some épreuves d’essai.

Elisabeth BOUCHET LEMOINE
Active on France during the second half of XVIIth century
Etching

Élisabeth KROUGLICOFF – Les Canards, 1905