Poncetton n°5 (II/II). Très belle épreuve sur vergé ancien du 2e état (sur 2), signée. Grandes marges. Rare.

C. L. JUBIER
1737 + ?
Tool engraving printed in colors

Delteil nr 151; Delteil-Cailac nr. Very good impression on china paper applied on wove paper, of the only state, numbered, titled and signed by Camille Pissarro. Short tear about 8 mm on the edge of china at top; small tear and/or thin paper area in the lower left angle; 2 or 3 tiny small snags […]

Camille PISSARRO

Delteil-Cailac nr 196. Shapiro and Mélot p 23. Good impression printed in brown-red on thin wove paper, of the only state. Diagonal fold brand at top. “Le dessin au vernis sur la plaque de zinc a été fait par Camille Pissarro mais la morsure par son fils Lucien…” Jean Cailac. There would be a posthumous […]

Camille PISSARRO
1830 Saint Thomas + 1903 Paris
Etching and aquatint

Charles Albert WALTNER
1846 Paris + 1925 Paris
Etching and dry point after Dagnan-Bouveret

Charles BAUGNIET
1814 Bruxelles + 1886 Sèvres
Lithography

Charles COTTET
1863 Le Puy + 1925
Lithographie originale

Charles COTTET
1863 Le Puy + 1925 Paris
Soft ground etching

Morane nr 4. Very good impression on flier china paper, printed in colors, signed and numbered. Small foxings mostly visible on the back and in margins; short marginal tear and some creases. Wide margins. Edition of 100 impression for the “Galerie d’estampes originales” of A. Vollard.

Charles COYPEL
1694 Paris + 175 Paris
Etching

T. Dufresne nr 16. Very good impression on laid paper, numbered and signed. Very slight trace of an old mounting paper. Edition of 25 impressions. Dry stamp of the editor Sagot (Lugt nr 2254)

T. Dufresne nr 4. Very good impression on simili japan paper, printed in black and a slight teinte de jaune, numbered and signed. A few foxings, mostly in the good margins and on the back; small (accroc) at foot and horizontal crease. Edition of 10 impressions selon T. Dufresne (la nôtre est numbered sur 30) […]

T. Dufresne nr 4. Very good impression on simili japan paper, printed in black and a slight tint of yellow, numbered and signed. A few foxings, mostly in the good margins and on the back; small snag at the foot and horizontal crease. Edition of 10 impressions according to T. Dufresne (Ours is justified on […]

Charles DUFRESNE
1876 Millemont + 1938
Dry point and tool engraving