Clark, Matthew and Owens undescribed. Very good impression printed in colors on thin wove ivory paper. Band of an old mounting paper at top and short marginal tear in the upper left corner. Good margins.

Maurice de VLAMINCK
1876 Paris + 1958 Rueil la Gadelière
Etching and dry point

Maurice DUMONT
1869 Coutances + 1899 Avranches
Glyptography

Maurice NEUMONT
1868 Paris + 1930 Paris
Lithography

Très belle épreuve sur vergé. Belles marges. Timbre sec de la “Société des Aquafortistes Belges”.

Max KLINGER
1857 Plagwitz + 1920 Grossjena
Etching and aquatint

Maxime LALANNE
1827 Bordeaux + 1886 Nogent sur Marne
Etching

Maxime LALANNE
1827 Bordeaux + 1886 Nogent sur Marne
Etching

Maxime MAUFRA
1861 Nantes + 1918 Poncé
Soft ground etching and aquatint

ca 1527 Flensburg + after 1583 Copenhague

Michael FENNITZER
1641 Nüremberg ? + 1701 Wittenberg
Mezzotint

Michel Amédée BESNUS
1831 Paris + 1909
Etching

Very good impression on laid paper published by the “Société des Aquafortistes” in 1863. Rare marginal stains. Wide margins.

Michel Barthélémy OLIVIER
1712 Marseille + 1784 Paris
Etching

Robert-Dumesnil nr 67 and 68. Very good impressions de deux compositions formant pendant, of the only state. Vertical median crease habituel; some stains mostly marginal. Edition end XVIIth or beginning XVIIIth century. Wide margins. Les sujets représentent des plafond peints au château de Chilly, probably by François Perrier, for le marquis d’Effiat.

Michel LASNE
ca 1590 Caen + 1667 Paris
Etching and engraving