Carlo LASINIO
1759 Trévise + 1838
Mezzotint

Carlo LASINIO
1759 Trévise + 1838
mezzotint

Carlo LASINIO
1759 Trévise + 1838 Pise
Manière noire d’après Le Guerchin

Charles Albert WALTNER
1846 Paris + 1925 Paris
Etching and dry point after Dagnan-Bouveret

Charles BAUGNIET
1814 Bruxelles + 1886 Sèvres
Lithography

Charles COLEMAN
ca 1807 Pontefract (GB) + 1874 Rome
Etching

Charles COLEMAN
ca 1807 Pon Te Fract + 1874 Rome
Etching

Charles COTTET
1863 Le Puy + 1925
Lithographie originale

Charles COTTET
1863 Le Puy + 1925 Paris
Soft ground etching

Morane nr 4. Very good impression on flier china paper, printed in colors, signed and numbered. Small foxings mostly visible on the back and in margins; short marginal tear and some creases. Wide margins. Edition of 100 impression for the “Galerie d’estampes originales” of A. Vollard.

Charles COYPEL
1694 Paris + 175 Paris
Etching

T. Dufresne nr 16. Very good impression on laid paper, numbered and signed. Very slight trace of an old mounting paper. Edition of 25 impressions. Dry stamp of the editor Sagot (Lugt nr 2254)

Charles DUFRESNE
1876 Millemont + 1938
Dry point and tool engraving

Charles HEYMAN
1881 Paris + 1916 Ablain Saint Nazaire
Etching

Robert-Dumesnil nr 5 (II/IV). Very good impression trimmed on the platemark of 2nd state (of 4), with Langlois’s address. Short tear formerly restaured at foot; slight circular stain near the title; held in place by dots of glue on the left side. Second plate of a set of four “Heures du jour”. Ex collection…

Charles LE BRUN
1619 Paris + 1690 Paris
Etching