1864 Paris + 1938 Paris

Eugène DELATRE
1864 Paris + 1938 Paris
Drypoint

Very good impression on wove paper, signée. Good margins.

Très belle épreuve sur vélin imprimée en couleurs, signée et dédicacée. Quelques très légères traces de plis souples.

Eugène ISABEY
1803 Paris + 1886 Montévrain
Etching, dry point and wash effect

A. Curtis nr 64 (II/III). Very good impression on china paper applied on wove paper, of 2nd state (of 3), before the change in the letter. Creases mostly marginal; small défects at the edges of margins. Plate to the set of six “marines”. Dry stamp of V. Morlot, editor.

Evariste Vital LUMINAIS
1821 Nantes + 1896 Paris
Etching

Beraldi nr 517. Bouillon Af 11 (?/V). Very good impression on old laid paper, of an indetermined state, probably print with “cache-lettre”. Small marginal stains. Good margins.

Beraldi nr 16; I.F.F. nr 133. Very good impression on laid paper, with many retouchs with pencil by the artist with a view to a possible reduction of the platemark. Slight oxidation at the window of an old mounting. Good margins. Very rare. Ex collection H. M. Petiet.

Beraldi nr 341 (VIII/IX). Good impression on japan paper, of 8th state (of 9), before the letter, dedicated and signed by pen. Some very rare defects in the subject; some small marginal accidents; foxing on the back.

Félix BRACQUEMOND
1833 Paris – 1914 Paris
Copperplate

Félix BRACQUEMOND
1833 Paris + 1914 Paris
Etching

1833 Paris + 1914 Sèvres

Félix BRACQUEMOND
1833 Paris + 1914 Paris
Etching originale and engraving

Félix BRACQUEMOND
1833 Paris + 1914 Sèvres
Etching

Félix BRACQUEMOND
1833 Paris + 1914 Paris
Etching